SLASHER FILM FESTIVAL STRATEGY SOUNDCLOUD

There is very little I do musically that is directly influenced by modern scores or even classic scores. Your email address will not be published. This led me to refocus my energy with the project and truly focus on imagined film music. Leave a Reply Cancel reply Your email address will not be published. Is there a point at which they need to be set aside? Something I could work on in my own time with my 4-track. Each record I make is usually based on concept that would work as a film and I am scoring that non-existent film in my mind. How does one take those influences from horror and genre films, and move beyond them?

This site uses Akismet to reduce spam. Each record I make is usually based on concept that would work as a film and I am scoring that non-existent film in my mind. Later on I was aware of Tangerine Dream and Vangelis, etc. Mainly, orchestral sounds and not electronic ones initially. May 6, at Leave a Reply Cancel reply Your email address will not be published. He was once a punk, but realized you can’t be hardcore and use the word “adorable” as often as he does. Your email address will not be published.

Soundclojd, orchestral sounds and not electronic ones initially. To narrow it down to a single artist would be impossible, but if you are looking for film composers, Brad Fiedel, Christopher Young, Carpenter, Charles Bernstein, Morricone were all very impactful. How does one take those influences from horror and genre films, and move beyond them?

Each record I make is usually based on concept that would work as a film and I am scoring that non-existent film in my mind. In most cases, my songs are used after they are created. This soundccloud uses Akismet to reduce spam. The initial influences were mainly east coast hip hop beats, industrial music and horror films in a visual sense.

  NEWBURYPORT MOVIES WATERFRONT 2012

Cinematic Synths: Slasher Film Festival Strategy’s Christopher Ashley

Ashley continue to create dark, synth based soundscapes channeling the sounds of film and sstrategy. I am always composing what I would like to hear and in some cases that finished product resonates with some people.

Is there a point at which they need to be set aside?

Take a second to support us on Patreon! This was also the era where the first space-themed recordings were created.

DFN | Free Listening on SoundCloud

It was around when I really renewed my focus on the project working through probably over demos that I had been recording over the years and polished my sound through better recording techniques and more streamlined methods to capture the sounds of my s synthesizers. Notify me of follow-up comments by email. Something I could work on in my own time with my 4-track. Notify me of new posts by email. Your email address will not be published. There is soundvloud little I do musically that is directly influenced by modern scores or even classic scores.

Leave a Festivaal Cancel reply Your email address will not be published. He was once a punk, but realized you can’t be hardcore and spundcloud the word “adorable” as often as he does.

  PLUS BELLE LA VIE EPISODE 26224

This led me to refocus my energy with the project and truly focus on imagined film music. Later, I would obviously become more aware and more immersed in all types of film music. I am syrategy on all instruments I fumble around on.

The listener being me I generally compose music that I myself would like to listen to and it keeps my material a little more structured versus the open ended ambient work I was doing in the early s. Learn how your comment data soundclous processed.

Slasher Film Festival Strategy – Psychic Shield by Mondo | Mondo | Free Listening on SoundCloud

A great number of micro labels have popped up parallel to the soundtrack resurgence. I was really drawn to how dirty and gritty it was. Are there particular artists which bridged the gap between film scores souhdcloud more traditional electronic music — Vangelis or Tangerine Dream, for instance? I started playing bass guitar at age Philip Glass was always an inspiration.

Obviously, now Tangerine Dream and the like are staples, but they had little to no influence on strwtegy sound. Initially, I was not truly aware of film music even though I was unknowingly a fan of it. May 6, at When I compose and record, I consider the listener a bit. Later on I was aware of Tangerine Dream and Vangelis, etc.