THE APPLE SAMIRA MAKHMALBAF WATCH ONLINE

Locarno International Film Festival 2 special mentions including: A young girl zealously wants to go to school and learn to read and write. The Apple is one of the few films that has left thinking long after the credits have rolled and I am sure I will be disecting it for weeks to come. Favoritas de Oriente Medio. December 27, Please enter your email address and we will email you a new password. The Apple it’s one of the exemples that show to us how terrific is the Iran cinema.

Everyday, year old Khorsid takes the bus to his work at an instrument maker’s shop and everyday something unexpected happens. Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Post Share on Facebook. The Apple it’s one of the exemples that show to us how terrific is the Iran cinema. At once an effulgent exercise in life-affirmation and a bemusingly crude piece of exploitative filmmaking. Lucas Martins Super Reviewer.

Everyday, year old Khorsid takes the bus to his work at an instrument maker’s shop and everyday something unexpected happens.

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In a post-Taliban Afghanistan a young woman Agheleh Rezaie attends school against her conservative father’s will, hoping to learn more about democracy to fulfill her dream of being the country’s next president. Zahra Ghorban Ali Naderi After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.

A new one every day. Samira Makhmalbaf was only 18 when she made The Apple, but it is a surprisingly mature, assured piece of work. Unless, of course, the fiction in question is one that’s based on some very strange truths. Keep track of everything you watch; tell your friends.

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Sib is perfect example, as it is an Iranian made production that speaks nothing of terrorism, but only of the people. Favoritas de Oriente Medio. She is not however the youngest director on record – that accolade belongs to Sydney Ling who was just 13 when he made Lex, the Wonder Dog Mohsen Makhmalbaf Editing and Screenplay.

All of this makes me want to see the film again. Add the first question.

The Apple () – IMDb

The Mirror Jafar Panahi After enrolling in a school, an impoverished boy finds conflict with his classmates and decides to compete to earn their respect.

This film is not currently playing on MUBI but 30 other great films are. Locarno International Film Festival 2 special mentions including: December 27, Apr 3, Full Review…. Azizeh Mohamadi as Azizeh. Directed onlime Samira Makhmalbaf. Samira Makhmalbaf Screenplay and Director.

User Reviews Lnline without his daughters! Makhmalbaf elicits remarkably unaffected performances. International Film Festival Rotterdam Don’t have an account?

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Apr 11, Rating: Ben Sachs 24 Mar Veracity is undermined by the very idea that the subjects somehow are actors in their own story — and yet The Apple is still quite touching.

I Am the Night. Muazzam bir ilk film! Presents appls severe critique of the continued shabby treatment of women in patriarchial societies. Start your free trial. Buddha Collapsed Out of Shame Zahra Naderi as Zahra.

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Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! A little bit of Hollywood might have spiced up this fascinating — but maddeningly slow — true story.

Films Followers Follow List. Ghorban Ali Naderi as Father. The Day I Became a Woman The Apple is one of the few films that has left thinking long after the credits have rolled and I am sure I will be disecting it for weeks to come. At Five in the Afternoon Samira Makhmalbaf Log in with Facebook. The film mixes fiction and documentary to create something that is so truthful, tender and compelling.

Articles from the Notebook. Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. Iraj Sarbaz Executive Producer. Movie Info A documentary of an Iranian, impoverished and religious father who kept his twin daughters locked up at home for the first 12 years of their lives. A semi-autobiographical account of Makmahlbaf’s experience as a teenager when, as a year-old, he stabbed a policeman at a protest rally.

Cannes Film Festival Frederic and Mary Ann Brussat.